The All New Music Tag Reboot!

Discussion in 'The Chatterbox' started by Dridecker, Jun 26, 2011.

  1. Nick A

    Nick A Active Member

    Boy George - Do You Really Want To Hurt Me




    Why this song? I have no idea!
     
  2. ChemErik

    ChemErik Mr. Personality

  3. MN_Nick

    MN_Nick Member

  4. GDCarrington

    GDCarrington Burma Shave

    Hurt So Bad - Little Anthony & The Imperials



    Little Anthony & the Imperials: Biography
    by Steve Huey

    Little Anthony & the Imperials enjoyed one of the longest career runs of any doo wop group, adapting their honey-smooth style to fit the sweet uptown soul sound of the mid-'60s. Right from the beginning, Little Anthony's aching way with a ballad was the group's calling card, but their repertoire was balanced by more R&B-inflected dance tunes.

    Little Anthony was born Jerome Anthony Gourdine in 1940, and grew up in Brooklyn's Fort Greene projects. While in high school, he sang in a doo wop group called the Duponts, who recorded a single called "Prove It Now" in 1957. They disbanded after graduation, however, and Gourdine joined another group called the Chesters, which had been formed by his friend Clarence Collins (baritone) and also featured longtime friend Ernest Wright Jr. (tenor); the other members were Tracy Lord (tenor) and Nat Rogers (bass).

    After a one-off single for Apollo, they landed a record deal with the End label in 1958, at which point their name was changed to the Imperials. ("Little Anthony" was later tagged onto the beginning by DJ Alan Freed.)The Imperials' first single for End was the classic heartache ballad "Tears on My Pillow," a Top Five smash on both the pop and R&B charts. Little Anthony's dramatic interpretation was certainly helped in the public eye by his youthful-sounding voice and name, which recalled the recently popular Frankie Lymon. The single's B-side, "Two People in the World," was also something of a hit, making the Imperials one of the hottest vocal groups around. Landing a follow-up hit proved difficult, however; the group charted several singles -- "So Much," "Wishful Thinking," "A Prayer and a Juke Box" -- without even approaching their earlier success.

    Finally, the novelty dance track "Shimmy, Shimmy, Ko-Ko-Bop" caught on in 1960 and returned Little Anthony & the Imperials to the upper reaches of the charts (though it missed the Top Ten). The follow-ups "My Empty Room" and "Please Say You Want Me" flopped, however, and Little Anthony decided to try a solo career in late 1961.The Imperials continued on with a new lineup of Collins, Wright, Sammy Strain, and George Kerr, the latter of whom was replaced by Kenny Seymour in 1962. Neither Little Anthony nor his erstwhile group had any luck on their own, and in late 1963 he returned to the fold, replacing Seymour.

    The next summer, the reconstituted Imperials signed with the DCP label, where producer/songwriter Teddy Randazzo made them a priority. His first effort with the group, "I'm on the Outside (Looking In)," reached number 15 on both the pop and R&B charts in 1964, reestablishing the Imperials as a commercial presence. The follow-up, "Goin' Out of My Head," was a smash, returning them to the pop Top Ten for the first time since "Tears on My Pillow"; it was covered quite often in the years that followed, and grew into something of a pop standard. The Imperials' streak of good fortune continued with the equally dramatic ballad "Hurt So Bad," another Top Ten hit that also became their second R&B Top Fiver in 1965. A couple of smaller hits followed later that year in "I Miss You So" and the pop/R&B Top 20 "Take Me Back."Little Anthony & the Imperials continued to chart singles over the next several years, but only one -- 1969's "Out of Sight, Out of Mind" -- breached the Top 50 on either the pop or R&B sides.

    That same year, the group switched labels to United Artists, and Ernest Wright Jr. departed to join singer Tony Williams' latter-day version of the Platters. He was replaced by a returning Kenny Seymour, who was in turn replaced by Bobby Wade in 1971, the year of the group's last chart single, "Help Me Find a Way (To Say I Love You)." Sammy Strain left in 1972 and wound up joining the O'Jays four years later; his replacement was Harold Jenkins. Little Anthony himself left the group a second time in 1975 to pursue solo recording as well as an acting career, which effectively spelled the end of the road; nonetheless, a Collins-led lineup did manage to score one last hit in the U.K., 1977's "Who's Gonna Love Me." Little Anthony became a born-again Christian in 1978 and subsequently recorded a gospel album, Daylight. Anthony, Collins, Wright, and Strain reunited in 1992 and toured the oldies circuit steadily thereafter.

    http://afgen.com/little_anthony.html
     
  5. ChemErik

    ChemErik Mr. Personality

  6. GDCarrington

    GDCarrington Burma Shave

    Jim Croce - Bad Bad Leroy Brown



    Born: January 10, 1943
    Died: September 20, 1973

    In the music industry, arguably the worst tragedy that can befall an artist is to die in their prime, when he or she is just beginning to break through to the mainstream and reach people on a national level. One such artist was Jim Croce, a songwriter with a knack for both upbeat, catchy singles and empathetic, melancholy ballads. Though Croce only recorded a few studio albums before an untimely plane crash, he continues to be remembered posthumously. Croce appealed to fans as a common man, and it was not a gimmick -- he was a father and husband who went through a series of blue-collar jobs. And whether he used dry wit, gentle emotions, or sorrow, Croce sang with a rare form of honesty and power. Few artists have ever been able to pull off such down-to-earth storytelling as convincingly as he was.

    James Croce was born in Philadelphia, PA, on January 10, 1943. Raised on ragtime and country, Croce played the accordion as a child and would eventually teach himself the guitar. It wasn't until his freshman year of college that he began to take music seriously, forming several bands over the next few years. After graduation, he continued to play various gigs at local bars and parties, working as both a teacher and construction worker to support himself and his wife, Ingrid. In 1969, the Croces and an old friend from college, Tommy West, moved to New York and record an album. When the Jim and Ingrid record failed to sell, they moved to a farm in Lyndell, PA, where Jim juggled several jobs, including singing for radio commercials. Eventually he was noticed and signed by the ABC/Dunhill label and released his second album, You Don't Mess Around with Jim, in 1972. The record spawned three hits: "You Don't Mess Around With Jim," "Operator (That's Not the Way It Feels)," and "Time in a Bottle." The latter would become Croce's breakthrough hit, shooting all the way to number one on the Billboard charts. Croce quickly followed with Life and Times in early 1973 and gained his first number one hit with "Bad, Bad Leroy Brown."

    After four years of grueling tour schedules, Croce grew homesick. Wishing to spend more time with Ingrid and his infant son Adrian James, he planned to take a break after the Life and Times tour was completed. Unfortunately, the tour would never finish; just two months after "Bad, Bad Leroy Brown" topped the charts, Croce's plane crashed in Natchitoches, LA. Croce and the four other passengers (including band member Maury Muehleisen) were killed instantly.

    Ironically, Jim Croce's career peaked after his death. In December of 1973, the album I Got a Name surfaced, but it was "Time in a Bottle," from 1972's You Don't Mess Around with Jim which would become his second number one single. Shortly afterwards, "I'll Have to Say I Love You in a Song" reached the Top Ten. Several albums were released posthumously, most notably the greatest hits collection, Photographs and Memories, which became a best-seller. Several other compilations have since been issued, such as the 1992 release The 50th Anniversary Collection and the 2000 compilation Time in a Bottle: The Definitive Collection. Listening to the songs Croce recorded, one cannot help but wonder how far his extraordinary talents could have taken him if he would have perhaps lived a few years longer. Unfortunately, such a question may only be looked at rhetorically, but Jim Croce continues to live on in the impressive catalog of songs he left behind. Barry Weber

    http://www.starpulse.com/Music/Croce,_Jim/Biography/
     
  7. ChemErik

    ChemErik Mr. Personality

  8. GDCarrington

    GDCarrington Burma Shave

    Why stop with just one more? Let's try another!
    Jim Croce - Time in a bottle

     
  9. Dridecker

    Dridecker Sherlock

  10. ChemErik

    ChemErik Mr. Personality

  11. Nick A

    Nick A Active Member

    Coconut Telegraph - Jimmy Buffett


     
  12. ChemErik

    ChemErik Mr. Personality

  13. Nick A

    Nick A Active Member

    Muppet Show - Mahna Mahna.

     
  14. GDCarrington

    GDCarrington Burma Shave

    Muppet Movie - The Rainbow Connection

     
  15. ChemErik

    ChemErik Mr. Personality

  16. GDCarrington

    GDCarrington Burma Shave

  17. ChemErik

    ChemErik Mr. Personality

  18. m0j0j0eman

    m0j0j0eman Active Member

  19. ChemErik

    ChemErik Mr. Personality

  20. Nick A

    Nick A Active Member

    Speaking of plants
    Little Shop Of Horrors - Feed Me


     

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