I dim all the lights and I sink in my chair. The smoke from my cigarette climbs through the air. The walls of my room fade away in the blue, And Im deep in a dream of you. The smoke makes a stairway for you to descend; You come to my arms, may this bliss never end, For we love anew just as we used to do When Im deep in a dream of you. Then from the ceiling, sweet music comes stealing; We glide through a lovers refrain, youre so appealing That Im soon revealing my love for you over again. My cigarette burns me, I wake with a start; My hand isnt hurt, but theres pain in my heart. Awake or asleep, evry memry Ill keep Deep in a dream of you.
Not exactly on topic, but I'm listening to the acid in my stomach. Darn Pointy Haired Boss strikes again!
Let's see ... beer commerical shows the boss of the company ... beer can be acidic .... SOOOO, I present this song. If I was blond and skinny I would be this girl ... BUT I am happy to report ... in some other life, this song was written for Jeff and I ... Enjoy!
If only she had dark brown hair and wasn't that skinny... The day after I met the love of my life I still was so overwhelmed I literally bumped into a parking-meter when walking on the sidewalk! I hadn't even seen it... lol
Two great musicians from Congo-Kinshasa perform this lovely song. Tabu Ley Rochereau and Le Grand Maitre Luambo Makiadi - aka Franco.
This is a magnificent old song which I had the pleasure of performing a beautiful duet in 2001 here in Montreal with the terrific singer Carlyto Lassa who is singing in this video. Carlyto was surprised that I speak some Lingala and that I love this music so much. He was even more surprised that I know many songs, and his lovely voice contrasted so well to my heavy deep voice!
Gary Bartz - Music Is My Sanctuary Released:1977 Genre:Funk / Soul, Jazz Style:Jazz-Funk Arranged By -- Gary Bartz (tracks: 1, 2, 6), Larry Mizell (tracks: 3, 4, 5) Bass -- Curtis Robinson, Jr., Welton Gite Co-producer -- Gary Bartz, James Carter (2) Drums -- Howard King, James Gadson, Nate Neblett Executive Producer -- Larkin Arnold Guitar -- David T. Walker, John Rowin, Juewett Bostick, Wa Wa Watson* Keyboards, Vocals -- Larry Mizell Mastered By -- Ron McMaster Percussion -- Bill Summers, Mtume* Piano -- George Cables Producer -- Larry Mizell & Fonce Mizell Reissue Producer -- Michael Cuscuna Saxophone [Alto, Soprano], Piano, Electric Piano, Synthesizer, Vocals -- Gary Bartz Trumpet -- Eddie Henderson, Ray Brown (2) Vocals -- Sigidi, Syreeta Wright* Notes Produced by Larry Mizell and Fonce Mizell for Sky High Productions, Inc. Originally released in 1977 Manufactured and distributed by Capitol Records, Inc. Credits Arranged By -- Gary Bartz, Larry Mizell Executive Producer -- Larkin Arnold Producer -- Larry Mizell & Fonce Mizell HQ Biography Alto saxophonist Gary Bartz attended the Juilliard Conservatory of Music and became a member of Charles Mingus' Jazz Workshop from 1962-1964 where he worked with Eric Dolphy and encountered McCoy Tyner for the first time. He also began gigging as a sideman in the mid-'60s with Abbey Lincoln and Max Roach, and later as a member of Art Blakey & the Jazz Messengers. His recording debut was on Blakey's Soul Finger album. Tyner formed his famed Expansions band in 1968 with Bartz on alto. In addition, Bartz also formed his own bands at this time and recorded a trio of albums for Milestone, and continued to tour with Max Roach's band. In 1970, Miles Davis hired Bartz and featured him as a soloist on the Live-Evil recording. Bartz formed the Ntu Troop that year as well, an ensemble that fused soul and funk, African folk music, hard bop, and vanguard jazz into a vibrant whole. Among the group's four recordings from 1970-1973, Harlem Bush Music: Taifa and Juju Street Songs have proved influential with soul jazzers, and in hip-hop and DJ circles as well. From 1973-1975 Bartz was on a roll, issuing I've Known Rivers and Other Bodies, Music Is My Sanctuary, Home, and Another Earth, all stellar outings. He meandered for most of the 1980s, coming back in 1988 with Reflections on Monk. Since that time, Bartz has continued making records of quiet intensity and lyrical power -- notably Red & Orange Poems in 1995 -- and has with become one of the finest if under-noticed alto players of his generation. - Thom Jurek Allmusic.com http://www.allmusic.com/artist/gary-bartz-mn0000737969
